[TR24][OF] Giacomo Puccini - Madama Butterfly [1955] (Maria Callas, Nicolai Gedda, Mario Borriello, Lucia Danieli, Renato Ercolani, Mario Carlin etc.; Coro e Orchestra del Teatro alla Scala di Milano, Herbert von Karajan) - 2014 (Classical, Opera)

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becasiana

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becasiana · 04-Апр-15 17:24 (3 года 8 месяцев назад, ред. 15-Июн-17 18:08)

MARIA CALLASMADAMA BUTTERFLYby Giacomo Puccini
Год издания: 2014
Жанр: Classical, Opera
Издатель (лейбл): Warner Classics
Продолжительность: 01:52:50
Наличие сканов: Covers, Digital Booklet

Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 96kHz
Количество каналов: 2.0


Giacomo Puccini (1858–1924)
Madama Butterfly (Opera in two acts)
Libretto: Giuseppe Giacosa & Luigi Illica

Maria Callas, soprano (Butterfly)
Nicolai Gedda, tenor (Pinkerton)
Mario Borriello, baritone (Sharpless)
Lucia Danieli, mezzo soprano (Suzuki)
Renato Ercolani, tenor (Goro)
Mario Carlin, tenor (Yamadori)
Plinio Clabassi, bass (Lo zio Bonzo)
Enrico Campi, bass (Il commissario imperiale)
Luisa Villa, mezzo soprano (Kate Pinkerton)
Coro e Orchestra del Teatro alla Scala di Milano
Chorus master: Norberto Mola
Herbert von Karajan, conductor
Recorded: 1–6.VIII.1955, Teatro alla Scala, Milan

Треклист
Act 1
01. "E soffitto...e pareti" (Pinkerton, Goro) (2:12)
02. "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless) (4:15)
03. "Dovunque al mondo" (Sharpless, Pinkerton, Chorus) (4:16)
04. "Quale amania vi prende!" (Pinkerton, Sharpless, Goro, Chorus) (4:02)
05. "Ah! Ah! quanto cielo!...Ancora un passo or via" (Butterfly, Sharpless, Chorus) (3:00)
06. "Gran ventura" (Butterfly, Pinkerton, Sharpless, Goro, Chorus) (3:42)
07. "L'imperial Commissario" (Butterfly, Pinkerton, Sharpless, Goro, Chorus) (2:29)
08. "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) (2:38)
09. "Ieri son salita tutta sola" (Butterfly, Goro, Comissario, Sharpless, Official Registrar, Chorus) (5:05)
10. "Ed eccoci in famigila" (Butterfly, Suzuki, Pinkerton, Goro, Bonzo, Chorus) (5:33)
11. "Viene la sera" (Butterfly, Pinkerton, Suzuki) (3:20)
12. "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton) (3:37)
13. "Vogliatemi bene, un bene piccolino" (Pinkerton, Butterfly) (7:29)
Act 2
14. "E izaghi e Izanami" (Suzuki, Butterfly) (7:21)
15. "Un bel di vedremo" (Butterfly) (4:44)
16. "C'è Entrate" (Butterfly, Sharpless, Butterfly) (3:33)
17. "Non lo sapete insomma" (Butterfly, Sharpless, Goro, Yamadori) (1:52)
18. "A voi però giurerei fede costante" (Butterfly, Sharpless, Goro, Yamadori) (3:32)
19. "Or a noi" (Butterfly, Sharpless) (6:09)
20. "E questo? e questo?" (Butterfly, Sharpless) (2:25)
21. "Che tua madre dovrà" (Butterfly) (3:32)
22. "Io scendo al piano" (Butterfly, Sharpless) (1:43)
23. "Vespa! Rospo maledetto!" (Butterfly, Suzuki, Goro) (1:59)
24. "Una nave da guerra" (Butterfly, Suzuki) (2:30)
25. "Scuoti quella fronda di ciliegio" (Suzuki, Butterfly) (5:14)
26. "Or vienmi ad adornar" (Suzuki, Butterfly) (5:10)
27. Coro a bocca chiusa (Humming Chorus) (3:09)
28. "Oh eh! Oh eh! Oh eh!" (Chorus) (7:31)
29. "Già il sole!" (Butterfly, Suzuki) (2:01)
30. "Povera Butterfly!" (Suzuki, Sharpless, Pinkerton) (2:49)
31. "Io so che alle sue ...Oh! l'amara fragranza" (Pinkerton, Sharpless) (4:02)
32. "Addio, fiorito" (Pinkerton, Sharpless) (1:56)
33. "Gllielo dirai?...Premetto" (Kate, Suzuki, Butterfly) (2:14)
34. "Che vuol da me?" (Butterfly, Suzuki, Sharpless, Kate) (5:41)
35. "Come una mosca prigioniera" (Butterfly, Suzuki) (2:53)
36. "Con onor muore" (Butterfly, Pinkerton) (5:22)
О релизе

On 7 April 1935 a girl calling herself Nina Foresti appeared on New York radio within ‘Major Bowes Amateur Hour’, and sang ‘Un bel dì vedremo’ from Madama Butterfly. As Callas was said to have appeared on this programme, John Ardoin, after extensive listening, reported that Foresti’s speaking (but not singing) voice bore ‘an astonishing resemblance’ to Callas’s. Nicholas Petsális-Diomídis, historian of Callas’s young Greek years, is totally unconvinced. Either way Callas’s involvement with the role of Cio-Cio-San continued at sporadic intervals with a duet when a student, a recording of the two main arias in 1954, this taping of the whole opera under Karajan in Milan in June 1955, three stage performances in Chicago in November 1955, a clutch of concerts including ‘Tu? tu? piccolo iddio!’ in the summer of 1963 and work on several scenes (including Pinkerton’s aria) in masterclasses in 1972–3.
The work (and interest) for Callas in this role was clearly to defy age (and culture) and to present the Japanese child bride for real. She achieved this (in the complete recording) so completely that first critics were worried by or even hostile at the sheerly different sound Callas produced throughout Act I – risking a child’s lighter timbre even on full-out fortissimo phrases – and at carefully selected parts of the remainder of the opera. Was this vocal acting or a theatre of the voice carried too far? As John Steane wrote, ‘it is, miraculously, the 15-year-old girl and not the great Callas who stands before us’.
These ‘selected parts’ include a careful study of ‘Un bel dì’ in which passages are the progressively disillusioned, frightened adult, and others are the still hopeful child, and a similar varying of tone in Butterfly’s attempts to cheer up herself and Suzuki later in Act II. Walter Legge was able to second these intentions from his prima donna with Karajan’s meticulously drilled and intentionally restrained conducting and Nicolai Gedda’s suave, ambivalent (and rather non-Italianate) Pinkerton.
© Mike Ashman, 2014
Recorded: 1–6 August,1955, Teatro alla Scala, Milan
Recorded in cooperation with E.A. Teatro alla Scala, Milan
Producer: Walter Legge · Balance engineer: Robert Beckett
Newly remastered from the original tapes at Abbey Road Studios
With high definition, you’ll be able to experience sounds which have only been heard up till now by people who were either present at Callas’s recording sessions, or who had access to the unique master tape,’ says Allan Ramsay, one of the team of engineers responsible for this remastering of all Callas’s studio recordings. ‘And digital editing software has become so sophisticated that we can correct problems which were insoluble even a few years ago. The listener will experience something as close as possible to the actual recording sessions.’
It sounds miraculous. Ramsay describes his aim for the project:
"The best way to explain a high-definition remastering is to use the metaphor of a digital camera,’ he says. ‘Imagine the difference in image clarity between a 1-megapixel camera and a 12-megapixel camera. It gives an idea of the resolution we’re now able to achieve. A cymbal crash, for instance, creates frequencies that are audible to the human ear, but it also creates supersonic harmonics, which are not. Those harmonics can still be experienced as a vibration in the air, even if you can’t hear them. Until now it has not been possible to reproduce those frequencies for the public, as the possible range on a CD [which operates at 44.1 kHz and 16 bits] is too low. With high-definition, which can operate at 96 kHz and 24 bits, we’re extending the range higher, and with more detail, than ever before. You’ll experience that supersonic cymbal-crash almost as if you had been in the recording studio when it was made."
Отчёты
Динамический диапазон
foobar2000 1.2.2 / Dynamic Range Meter 1.1.1
log date: 2015-04-04 01:00:07
--------------------------------------------------------------------------------
Analyzed: Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (1-2)
Lucia Danieli, Nicolai Gedda, Mario Borriello, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (3)
Lucia Danieli, Nicolai Gedda, Mario Borriello, Renato Ercolani, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (4)
Maria Callas, Lucia Danieli, Luisa Villa, Mario Borriello, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (5)
Maria Callas, Lucia Danieli, Luisa Villa, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (6)
Maria Callas, Lucia Danieli, Nicolai Gedda, Renato Ercolani, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (7)
Maria Callas, Lucia Danieli, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (8-13)
Maria Callas, Lucia Danieli, Renato Ercolani, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (14)
Maria Callas, Mario Borriello, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (15)
Maria Callas, Mario Borriello, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala, Milano, Herbert von Karajan, Nicolai Gedda / Puccini: Madama Butterfly (1955) (16)
Maria Callas, Mario Borriello, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (17-18)
Maria Callas, Mario Borriello, Renato Ercolani, Mario Carlin, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (19-20)
Maria Callas, Mario Borriello, Renato Ercolani, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (21)
Maria Callas, Nicolai Gedda, Mario Borriello, Renato Ercolani, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (22-23)
Maria Callas, Nicolai Gedda, Mario Borriello, Renato Ercolani, Enrico Campi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (24)
Maria Callas, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan, Lucia Danieli / Puccini: Madama Butterfly (1955) (25)
Maria Callas, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (26-28)
Maria Callas, Nicolai Gedda, Renato Ercolani, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (29)
Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (30-31)
Mario Borriello, Renato Ercolani, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (32)
Nicolai Gedda, Mario Borriello, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (33-34)
Nicolai Gedda, Mario Borriello, Renato Ercolani, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (35)
Nicolai Gedda, Renato Ercolani, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan / Puccini: Madama Butterfly (1955) (36)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -12.12 dB -29.43 dB 3:09 ?-Act 2: Coro a bocca chiusa (Humming Chorus)
DR8 -0.42 dB -14.05 dB 7:31 ?-Act 2: "Oh eh! Oh eh! Oh eh!" (Chorus)
DR11 -2.38 dB -19.01 dB 2:49 ?-Act 2: "Povera Butterfly!" (Suzuki, Sharpless, Pinkerton)
DR11 -3.43 dB -18.78 dB 4:15 ?-Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless)
DR12 -3.93 dB -23.24 dB 5:41 ?-Act 2: "Che vuol da me?" (Butterfly, Suzuki, Sharpless, Kate)
DR11 -2.96 dB -20.73 dB 2:14 ?-Act 2: "Gllielo dirai?...Premetto" (Kate, Suzuki, Butterfly)
DR10 -2.10 dB -17.55 dB 5:33 ?-Act 1: "Ed eccoci in famigila" (Butterfly, Suzuki, Pinkerton, Goro, Bonzo, Chorus)
DR10 -2.07 dB -17.62 dB 7:21 ?-Act 2: "E izaghi e Izanami" (Suzuki, Butterfly)
DR8 -0.61 dB -13.90 dB 2:30 ?-Act 2: "Una nave da guerra" (Butterfly, Suzuki)
DR9 -1.66 dB -15.86 dB 5:14 ?-Act 2: "Scuoti quella fronda di ciliegio" (Suzuki, Butterfly)
DR11 -2.40 dB -20.01 dB 5:10 ?-Act 2: "Or vienmi ad adornar" (Suzuki, Butterfly)
DR10 -6.78 dB -22.24 dB 2:01 ?-Act 2: "Già il sole!" (Butterfly, Suzuki)
DR12 -1.15 dB -20.04 dB 2:53 ?-Act 2: "Come una mosca prigioniera" (Butterfly, Suzuki)
DR11 -0.26 dB -16.56 dB 1:59 ?-Act 2: "Vespa! Rospo maledetto!" (Butterfly, Suzuki, Goro)
DR8 -2.72 dB -17.36 dB 1:43 ?-Act 2: "Io scendo al piano" (Butterfly, Sharpless)
DR7 -3.48 dB -14.86 dB 3:00 ?-Act 1: "Ah! Ah! quanto cielo!...Ancora un passo or via" (Butterfly, Sharpless, Chorus)
DR12 -3.81 dB -21.96 dB 6:09 ?-Act 2: "Or a noi" (Butterfly, Sharpless)
DR8 -2.97 dB -15.43 dB 2:25 ?-Act 2: "E questo? e questo?" (Butterfly, Sharpless)
DR10 -3.44 dB -17.66 dB 1:52 ?-Act 2: "Non lo sapete insomma" (Butterfly, Sharpless, Goro, Yamadori)
DR12 -3.96 dB -20.62 dB 3:32 ?-Act 2: "A voi però giurerei fede costante" (Butterfly, Sharpless, Goro, Yamadori)
DR14 -5.89 dB -23.63 dB 3:33 ?-Act 2: "C'è Entrate" (Butterfly, Sharpless, Butterfly)
DR12 -2.53 dB -18.67 dB 3:42 ?-Act 1: "Gran ventura" (Butterfly, Pinkerton, Sharpless, Goro, Chorus)
DR8 -0.30 dB -13.47 dB 2:29 ?-Act 1: "L'imperial Commissario" (Butterfly, Pinkerton, Sharpless, Goro, Chorus)
DR11 -1.68 dB -17.47 dB 5:05 ?-Act 1: "Ieri son salita tutta sola" (Butterfly, Goro, Comissario, Sharpless, Official Registrar, Chorus)
DR11 -3.99 dB -19.96 dB 3:20 ?-Act 1: "Viene la sera" (Butterfly, Pinkerton, Suzuki)
DR9 -2.95 dB -16.51 dB 3:37 ?-Act 1: "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton)
DR9 -2.33 dB -15.99 dB 7:29 ?-Act 1: "Vogliatemi bene, un bene piccolino" (Pinkerton, Butterfly)
DR7 -0.57 dB -11.86 dB 5:22 ?-Act 2: "Con onor muore" (Butterfly, Pinkerton)
DR12 -2.92 dB -21.31 dB 2:38 ?-Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro)
DR8 -1.33 dB -14.44 dB 4:44 ?-Act 2: "Un bel di vedremo" (Butterfly)
DR9 -2.57 dB -16.22 dB 3:32 ?-Act 2: "Che tua madre dovrà" (Butterfly)
DR9 -2.72 dB -15.49 dB 4:16 ?-Act 1: "Dovunque al mondo" (Sharpless, Pinkerton, Chorus)
DR8 -1.86 dB -13.80 dB 4:02 ?-Act 2: "Io so che alle sue ...Oh! l'amara fragranza" (Pinkerton, Sharpless)
DR8 -0.74 dB -13.52 dB 1:56 ?-Act 2: "Addio, fiorito" (Pinkerton, Sharpless)
DR8 -2.10 dB -14.52 dB 4:02 ?-Act 1: "Quale amania vi prende!" (Pinkerton, Sharpless, Goro, Chorus)
DR9 -3.05 dB -16.93 dB 2:12 ?-Act 1: "E soffitto...e pareti" (Pinkerton, Goro)
--------------------------------------------------------------------------------
Number of tracks: 36
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1342 kbps
Codec: FLAC
================================================================================
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douche11

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douche11 · 04-Апр-15 21:17 (спустя 3 часа)

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Только 10 левее, чтобы найти
Thank you becasiana
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becasiana

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becasiana · 04-Апр-15 21:48 (спустя 30 мин.)

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douche11 писал(а):
67401377Только 10 левее, чтобы найти
Thank you becasiana
Не "левее", а "осталось" (the word "left" has two meanings)
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douche11

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douche11 · 04-Апр-15 22:07 (спустя 19 мин.)

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becasiana писал(а):
67401770
douche11 писал(а):
67401377Только 10 левее, чтобы найти
Thank you becasiana
Не "левее", а "осталось" (the word "left" has two meanings)
Ahhhhh... Google translate... I obviously don't speak russian!
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becasiana

Top Seed 05* 640r

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becasiana · 04-Апр-15 22:35 (спустя 27 мин.)

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douche11 писал(а):
Ahhhhh... Google translate... I obviously don't speak russian!
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Bhimsen

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Bhimsen · 04-Апр-15 22:53 (спустя 17 мин.)

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Тот случай, когда спасибо говорить не устаешь)
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tryb4buy

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tryb4buy · 06-Апр-15 15:25 (спустя 1 день 16 часов)

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Thank you again
We are near completion
спасибо спасибо
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dragut

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dragut · 22-Июл-15 10:37 (спустя 3 месяца 15 дней)

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Bhimsen писал(а):
67402560Тот случай, когда спасибо говорить не устаешь)
Да? Послушал уже? Моно наверное? Но всеравно: спасибо!
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AMB3000

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AMB3000 · 13-Апр-17 17:15 (спустя 1 год 8 месяцев)

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Братик, ты что издеваешься? Это же нереально круто! АУЕ! здоровья тебе, брат по уху!
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